Margot Robbie I Tonya

Get our free weekly email for all the latest cinematic news from our film critic Clarisse LoughreyGet our The Life Cinematic email for free

, the bonkers, ultimately dismaying film about the American figure skater Tonya Harding and the 1994 attack on rival skater Nancy Kerrigan.

But the actress feared no one would let her play the title role, not least because Robbie is Australian. “I always have impostor syndrome with any of my characters, ” she tells me in an interview at the Greenwich Hotel in Manhattan. Robbie ended up serving as a producer of the picture and, of course, putting in a performance that earned her an Oscar nomination, her first, for best actress.

I, Tonya': Margot Robbie Gets Intense In First Trailer

Robbie learned to figure skate for the movie: 'The first time I went to do a high kick on the ice I just flew backwards and winded myself' 

Definitely no ice. I didn’t do any ice skating growing up. When I moved to America, I joined an ice hockey team, because I loved

Growing up and I always wanted to play ice hockey. In hindsight I was just running on the ice in skates. But you have so much padding on. I didn’t know how to stop or anything, so I’d just spring on the ice and then hit another player, or a barricade, or the ice to stop. That was pretty much the extent of my ice skating knowledge until the movie came around and I started training. And that’s when I put on figure-skating skates, which are very different from ice hockey skates, I found out.

I, Tonya Review: Margot Robbie's Dazzling Skating Biopic Glides On The Knife Edge Between Satire And Sympathy

I did ballet from aged five to 15. That helped a lot actually. It was just the actual ice part of it that was scary. I had to look like a very proficient skater. The first time I went to do a high kick on the ice I just flew backwards and winded myself. Fortunately we had an amazing skate choreographer, Sarah Kawahara. She actually choreographed for Nancy Kerrigan a bit back in the day. I kept apologising, 'Oh, I’m sorry you’re stuck with me, ' like, 'This must be very frustrating.'

I was four at the time, so I totally missed it. But once I delved into the story I was fascinated. I kind of understood why everyone was so enthralled by it at the time. There’s always been an appetite for scandal, but this was an event that escalated and snowballed into this global phenomenon. Pinning two women against each other, categorising people into neat little sound bites and splashy headlines. I think it would have been particularly traumatic to go through that coming from the upbringing she had, not being surrounded by a support network, not having the financial resources to protect herself.

It wasn’t fair on Nancy either. She was painted like this prissy ice queen. She came from a blue-collar family. And at the end of the day both of them are athletes. Everyone’s commenting on their looks. No, it’s not about their looks. They’re athletes; they’re not models.

Margot Robbie Has 'newfound Respect' For Ice Skaters

It did matter, and a big part of our story is that Tonya didn’t fit in. She wasn’t the image the skating world wanted as the face of American figure skating. She was always seeking validation, always seeking affection and love, whether it was from her mum, her husband, the media, the public, the skating association, the other skaters, whoever it was. It’s tragic that she didn’t get it.

I met her two weeks before we started shooting. I had put it off until then. I wanted to do all my character prep before I met her. There’s so much footage of her. I probably did nothing but watch Tonya Harding clips and videos and interviews on repeat for six months. I put it on my iPod, and I’d go to bed at night listening to her.

No, she was really understanding about it. Craig Gillespie, the director, and I wanted to say, 'It’s a strange thing that we’re making a film kind of about your life but kind of not.' This isn’t a traditional biopic, and it’s not a documentary, this is a feature film. I wanted to say to her, 'I hope you understand I’m playing a character. And in my mind you and the character are totally different.' She was great about it. If I was in her position, I would’ve been freaking out. She said: 'I understand you guys need to do what you need to do.' She was more worried about 'How are you going with the skate training?' and 'Do you need any help? I can train with you.' She was so kind and understanding.

I Lost My Mind

I’m a huge Tarantino fan, and I’ve heard him describe his violence as sensationalised violence. That’s not what we did at all. Craig had the very clever idea of breaking the fourth wall in those specific moments so that you can see her emotionally disconnect from what’s happening to her physically at the time. Something that struck me most about watching all the footage was the documentary made about her when she was 15. She’s very candid and vulnerable, and insecure. She’s just looking at the camera, saying, “My mum’s an alcoholic, and she hits me, and she beats me.” The worst thing about a domestically abusive relationship is that it’s a vicious cycle. And you see her go back to her first husband, Jeff Gillooly time and time again. We wanted to emphasise that this is a cycle and this is so routine for her, because it’s happened her whole life. She can emotionally disconnect in that moment and speak to the audience, completely matter-of-factly.

Halfway through the project we stopped having that debate. The point is everyone has their own truth. And truth and reality don’t necessarily go hand in hand. People tell themselves something happened in a certain way so that they can live with themselves. I cared so much more about her upbringing and her life, and in my opinion, how unfairly she was treated. No matter what you believe happened, I don’t think she deserved the punishment she got.

The Australian actress scored an Oscar nominationfor her depiction ofUSfigure skaterTonya Harding, implicated in a 1994attack on rival Nancy Kerrigan, in Craig Gillespie'sbiographical film

A Story Divided: I, Tonya's Deft Perspective Shifts

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged inWith such a dynamic central performance, this hilarious mockumentary account of Tonya Harding’s rivalry with Nancy Kerrigan skates close to celebrating her

I , Tonya is a bleakly hilarious tale of absolute unrepentance. It’s based on the true story of US figure skater Tonya Harding: reviled as the blue-collar, white-trash, black-hearted villain who at the very least attempted to cover up her ex-husband Jeff’s grotesque assault on her rival skater Nancy Kerrigan. He’d hired a couple of chaotic goons in 1994 to whack Nancy in the knee with a baton.

Margot Robbie gives a fantastically uninhibited performance as Tonya, fighting her way to the top from humble beginnings, frizzy of hair, angry of demeanour, often bringing out a raptor grimace on the ice, denoting pain or gloating triumph. Robbie has to suppress her natural glamour and poise for this: she is perhaps more obvious casting in a film called I, Nancy. Getting her to play both women would have been interesting.

Margot Robbie: 'i Thought Plot About Controversial Skater Was Far Fetched

Allison Janney almost pinches the entire film with her award-winning performance as LaVona, Tonya’s chain-smoking mom-slash-personal manager who believes in the motivational power of abuse. Timidly asked by someone to put her cigarette out while on the rink, LaVona snarls: “I’ll smoke quietly.” As with every film of this sort, there’s a debate to be had about accuracy. But one part I suspect is absolutely true to its subject. It never shows the smallest concern or sympathy about Nancy and her knee, and whether it hurt, and how she felt.

It is difficult to tell how lenient or even celebratory the film is being. Screen Tonya effectively asks us: Nancy got hit? Me too! Tonya got slapped around all the time growing up, by her mother and then by Jeff. She was discriminated against by snobbish judges who gave higher marks to less talented female skaters, those pampered princesses with picture-perfect smiles and non-trailerpark attitudes. And though the menfolk got prison time for the Nancy hit, Tonya got a fine and a permanent skating ban: a life sentence, even a kind of emotional death sentence. So should Nancy stop whining about her knee, because Tonya is the real victim? Even the tongue-in-cheek heroine? A tricky one, as this film does a bit of slippery soliloquising towards the end about the truth being relative and subjective. Wait – even the truth about Tonya getting beaten up?

The story is framed in a slightly tiresome mockumentary style, with the chief players (though not poor irrelevant old Nancy) interviewed in aged-up makeup, reflecting on those unhappy times. Inevitably, Janney – still grumpy, now breathing with an oxygen tank and snapping at the pet parrot on her shoulder – is even funnier in these

Margot Robbie Stole Her '90s Hair Scrunchies From The 'i, Tonya' Movie Set