Margot Robbie Style

Margot Robbie’s status as one of Hollywood’s most fashionable leading ladies has been as meteoric as her rise to film fame. Though the actress got her start in the Australian soap opera

In 2008, she was largely unknown in the United States until 2013, when she starred alongside Leonardo DiCaprio in Martin Scorsese’s Academy Award-nominated film,

After first signing with Calvin Klein as the face of their Deep Euphoria fragrance in 2016, Robbie landed her first major fashion contract in 2018, when she was named a Chanel ambassador. Her relationship with the French fashion house has continued through the years, and remains a rather contentious subject among style watchers, some of whom love her Chanel looks, and others who are, well, less convinced.

Margot Robbie's Blue And White Vionnet Floral Top And Skirt Outfit

Still, Robbie was the last Chanel ambassador to be personally chosen by longtime creative director Karl Lagerfeld, prior to the German designer’s death in 2019. Ever since Robbie’s Chanel contract was announced, many of her major red carpet looks have been courtesy of the French fashion house, though she has occasionally strayed to other big name brands.

, we’re taking a look at Robbie’s style evolution, from her early days in Australia, to her Hollywood takeover in custom creations from the likes of Gucci, Prada, Saint Laurent and Tom Ford—and yes, lots of Chanel.

Robbie made one of her first red carpet appearances at Australia’s annual Logie Awards in 2009, while starring in the soap opera

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She promoted the show at the 2011 Summer Television Critics Association Press Tour at The Beverly Hilton Hotel, in a floral print mini dress.

In London, Robbie opted for a more grown-up aesthetic, with a white lace look from Ermanno Scervino’s Spring 2013 collection. She kept a few youthful elements, as she paired the floor-length dress with neon platforms and a gold clutch, and kept her hair and makeup simple for the summertime premiere, with a loose braid and glossy lips.

For the film premiere of her breakout role, Robbie also had a breakout style moment, wearing a custom gown by Armani Privé. The one-shoulder white dress featured a sequined black panel at the waist and an open back. Robbie channeled her 

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Robbie was all about grown-up sophisticated as she once again chose to wear white—this time, it was a custom, crystal-embellished Gucci gown—for the Golden Globe Awards in January 2014.

Didn’t come away with a win at the 2014 Oscars, Robbie scored a spot on the best dressed list, thanks to her chic, minimalist strapless black gown by Saint Laurent’s then-creative director, Hedi Slimane. Robbie also debuted a fresh hair color on the red carpet, showing off brunette locks that had been newly dyed for her role in

Robbie had one more major fashion moment in 2014, as she attended her very first Met Gala, “Charles James: Beyond Fashion.” For fashion’s biggest night, Robbie wore a custom Prada gown, with daring sheer paneling over a satin bralette. Given all of the embellishments and the high ruffle neckline, Robbie opted for minimal jewelry, satin heels, a black clutch and a high ponytail.

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Robbie began to showcase her taste for classic glamour at the 2015 Academy Awards, when she was back to blonde (and back to Saint Laurent). Robbie, who was a presenter at the awards show, wore a drapey black gown with a plunging neckline, which highlighted her Van Cleef & Arpels necklace.

Robbie has attended countless fashion shows in couture over the years, but it’s hard to beat the white lace suit she wore for the Givenchy Spring 2016 presentation in New York, which remains one of her best looks yet.

It seems Robbie took a cue from the golden Oscar statues when it came to getting dressed for the 88th Academy Awards. The actress wore custom Tom Ford; according to stylist Kate Young, the glittering gown was inspired by Lauren Bacall. The event also marked the start of Robbie’s longtime working relationship with Young.

Margot Robbie's Best Fashion Looks: See Her Style Evolution

Mere days before Robbie was announced as the face of Calvin Klein’s women’s fragrance, Deep Euphoria, she attended the Met Gala in a dress by the designer. For the “Manus x Machina: Fashion in an Age of Technology” theme, Robbie went for another white number, this one a strapless look with cutouts, and accessorized with several pieces from late Tiffany & Co. jeweler Elsa Peretti, including gold bone cuffs on her wrists.

Character, Harley Quinn, when it came to dressing for the film’s world premiere, with an Alexander McQueen dress that combined edginess with a touch of fantasy. From the sheer dotted sleeves to the gold sequin unicorn, this was a total standout, and showed Robbie’s ongoing fondness for sheer paneling.

. Robbie went for a lighter color palette, but continued in a similar vein when it came to bold touches; the Gucci gown featured tiger and floral embroidering, with vine detailing on the straps.

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Robbie was a lady in red in New York, in a monochromatic Versace ensemble (from the label’s Spring 2018 collection honoring brand founder Gianni Versace) comprised of an ankle-length skirt, cropped shirt and jacket.

Press tour; the actress wore a whimsical dress featuring the brand’s iconic ’90s butterfly print, which was part of the fashion house’s Spring 2018 Tribute collection.

Margot Robbie arrives at the Academy Of Motion Picture Arts And Sciences’ 9th Annual Governors Awards at The Ray Dolby Ballroom. WireImage

Margot Robbie's Best Red Carpet Fashion Looks

(which also marked her first producer credit through her production company, LuckyChap Entertainment), Robbie looked every inch the Hollywood star in custom Miu Miu at the Screen Actors Guild Awards.

Robbie embraced her Aussie roots and went for a full floral look in a coordinating skirt and blouse combo by Australian designer Zimmermann.

It was back to black at the 2018 BAFTAs, for which Robbie donned a dramatic gown from Clare Waight Keller’s debut couture collection for Givenchy.

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At the 2018 Academy Awards, and fittingly used the occasion to debut her biggest red carpet moment. The very same day, Chanel announced Robbie as its newest ambassador, and the actress fittingly wore custom Chanel Haute Couture; the intricate white gown reportedly took over 550 hours to create.

In London, Robbie chose a romantic polka dot gown from Rodarte’s Spring 2019 collection, and matched her makeup, including her red lip and shimmering red eyeshadow, to the sequined red roses on her dress.

This dress from Chanel’s Spring 2019 Couture collection is surely one of Robbie’s more daring—and perhaps controversial—looks from the designer; the embellished tulle frock divided critics, but it was undoubtedly a bold choice, as Robbie proved she’s not afraid to take risks.

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. The Chanel look, from the Spring 2011 Couture collection, was a unique choice for the glamorous event, and ensured she stood out in the crowd. When paired with cut-crease eyeshadow and a bouncy blowout, Robbie seemed to be paying homage to the late actress Sharon Tate, whom she portrayed in the film.

Editor-in-chief Anna Wintour at Chanel’s Fall 2020 Couture show in Paris, and naturally, dressed in head-to-toe Chanel, sporting a suit from the 2020 Resort collection and accessorizing with ankle boots and a Chanel 19 handbag.

. It was all Chanel everything for the event; Robbie wore an ethereal, floaty ivory gown from Virginie Viard’s debut Chanel couture show (the original runway dress was in navy), which she complemented with retro curls and matching glossy lips and lids.

Margot Robbie Style

In a rare departure from Chanel, Robbie kept up the ’70s vibes in a flowing burnt orange chiffon gown, courtesy of Oscar de la Renta.

Robbie’s feminine lilac gown from Giambattista Valli’s Fall 2019 Couture collection featured floral detailing and rather polarizing draped peplum at the waist.

Love it or hate it, this black Dries Van Noten gown, complete with an asymmetrical feathered sash, was certainly one of Robbie’s most memorable red carpet moments, largely thanks to the hot pink opera gloves and neon glitter eyeshadow.

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It was back to Chanel at the 2020 Academy Awards, for which Robbie went into the designer’s archives with a vintage look; the frock was actually a custom take on a look from the Chanel Spring 1994 Couture collection. In addition to a matte red lip, the circular lapis, adorned with gold and pearls, at the bustier of the dress made the real statement.

Robbie continued her Chanel streak in a shining gown from the Fall 2019 Couture collection. The classic, slim-fitting silhouette was a more straightforward and simple design, but the silver-foiled floral pattern promised Robbie stood out. Still, it was Robbie’s new bangs that really stole the show.

, Robbie took a more unexpected fashion turn and wore a white tuxedo jacket and flared-leg pants set from Proenza Schouler, with a black lace shirt peeking out underneath.

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This ab-baring green Bottega Veneta dress is what led so many to speculate (and celebrate, in some cases) that Robbie’s Chanel contract had finally come to an end. Robbie let the slinky dress take center stage, and accessorized with simple gold bracelets and earrings, a sleek blowout and a wash of shimmering gold eyeshadow.

Robbie showed that she’s a true fashion risk-taker in this elevated approach to the classic LBD, as she once again showcased her abs in an asymmetrical hooded minidress with a dramatic cutout from the Alaïa Winter/Spring 2023